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Topic: Music and Movies
Number of pages / Number of words: 15 / 4182
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Kent Casper and Susan Linville recall Lotte Eisner's identification of how expressionist filmmakers adopted thematic models similar to those used by German romanticist writers: "the interfusion of dream/fantasy/illusion with reality, and the psychic precariousness of bourgeois identity confronted by the supernatural" (1991, 17)...


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The central ideas of German romanticism are "presented as quest romance, the dialectical movement of the hero's striving imagination toward individuation in a series of conscious-expanding epiphanic moments that appropriate and "spiritualize" nature" (Casper and Linville, 1991, 18). In romantic tales where the hero is lured into either nature or desire (or both), "the trajectory of narrative desire tends toward an ironic circle, either trapping the hero in solipsistic self-imaging or "saving" him though restoration of traditional bourgeois-Christian values...


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