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You can also see this in Liberation of Saint Peter. In the Madonna, the light from the orange orb surrounding the throne illuminates the figures in the foreground. It is also interesting that in early paintings of Leonardo da Vinci, Leonardo uses a dark foil behind his figures to bring them out. While he did not have to do this for long before he could do light figures with light backgrounds, Raphael did the opposite...

While he did not have to do this for long before he could do light figures with light backgrounds, Raphael did the opposite. He situates a dark figure in front of a light source and does it realistically.

Now if you'll follow me, we will see the Lament over the Dead Christ by Giovanni Bellini. Unlike Raphael and the other Florentine artists, Bellini came from the Venetian school of painting...

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