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Topic: History
Number of pages / Number of words: 20 / 5563
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There are a number of other echoes, including specific verbal ones, for example Catherine's cry, "Why talk you of death?" (Brown 171), echoing Desdemona's question "Talk you of killing?" (Shakespeare V. ii.35). Of course one can also identify some significant differences between the details of Wielandplot and that of Shakespeare's play, but even marcy of these can be readily identified either as accommodations to the real-life source material (the addition of the children as victims); to the necessities of genre (Clara as narrator); or as gothic trappings designed to heighten the experience of pity and fear...


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ii.35). Of course one can also identify some significant differences between the details of Wielandplot and that of Shakespeare's play, but even marcy of these can be readily identified either as accommodations to the real-life source material (the addition of the children as victims); to the necessities of genre (Clara as narrator); or as gothic trappings designed to heighten the experience of pity and fear...


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Type Talk When Pig's Heads Talk A Response to "What We Talk About When We Talk About Love" Dogs Can Talk Now? Importance of Symbolism in "What We Talk About When We Talk About Love" Talk Tv Talk shows What We Talk About When We Talk About Love Theatre: William Shakespear How you would talk to your kid about sex Raymond Carver (What We Talk About When We Talk About Love) What We Talk About When We Tal If I could talk to MLK What We Talk About When We Talk About Love What We Talk About When We Talk About Love All Talk No Action

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