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His solo contained a series of two-bar segments that seemed to comment on the preceding segment which created a very interesting musical dialog. Murray Horowitz of NPR stated, "People had taken solo breaks before, but the idea of an improvised composition that had a beginning, a middle and an end, that took ideas, that played with them , that hung together structurally and told a story, that's something you can hear Armstrong develop over the four years of these recordings...

He placed more and more emphasis on the solo at the expense of the ensemble. Armstrong was known to place accents on notes where they were not expected to be placed. He began using syncopation to highlight his melody. On the recording of "Potato Head Blues" he played a solo and varied the timing of the notes he played over a stop-time accompaniment...

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