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She even seems to imply this when she says, in the second stanza, "How one we grow." Each of the three "ARIELâs" contributes its part to the totality of the poem, and each of them merges into the others so that, by the end of the poem, they are all "one."
In short, then, the poet seems to be combining these three references to "ARIEL" in her poem, and creating a context where each of the possible meanings enriches the others...
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She even seems to imply this when she says, in the second stanza, "How one we grow." Each of the three "ARIELâs" contributes its part to the totality of the poem, and each of them merges into the others so that, by the end of the poem, they are all "one."
Now, of these three references to "ARIEL," the two that seem most fruitful in terms of an analysis of the poem appear to be the autobiographical and the Biblical In terms of the autobiographical overtones, the poem can be seen as what apparently it is in factâan account of the poetâs going for a ride on her favorite horse...
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Sylvia's Use of Senses in Ariel
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