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The sequences act on all three levels of montage: narrative, intellectual, and emotional. For example in the beginning of Man with a Movie Camera, there is a sequence in a theatre where the cameraman sets up the film for the audience to watch (appendix 1). The lights come on, the seats go down, the cameraman sets up the projector, the audience enters, the lights dim, the orchestra awaits and then the manifest begins...
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The lights come on, the seats go down, the cameraman sets up the projector, the audience enters, the lights dim, the orchestra awaits and then the manifest begins. The narration comes from the editor throughout the whole film. The cameraman cannot possibly be the narrator since he is randomly out of frame and it is a silent film...
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