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These were rich clergy or government officials who paid artists to do work for them. This benefited the artist as a source of income but it benefited the patron as well. If you sponsored many artists it was a sign of wealth and importance. It benefited the artist and the patron and in turn, benefited the city (Bynog)...
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If an excellent artist said something it was assumed it was true. If the artist were being sponsored then it would reflect back on his patron. He would receive prestige and nobility just for having the artist as a client.
A good example of this is Michelangelo. He was sponsored by Julius II to paint the Sistine Chapel...
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