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Topic: History
Number of pages / Number of words: 5 / 1381
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Cezanne felt that the 3D illusion of perspective left out the fact that a painting is a flat two-dimensional object. He liked to flatten the space in his paintings to place more emphasis on their surface This would show the difference between a painting and reality. He saw painting in more abstract terms as the construction and arrangement of colour on a two-dimensional surface...


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He saw painting in more abstract terms as the construction and arrangement of colour on a two-dimensional surface.

C. In what ways were Braque and Picasso innovators?

Cubism was running out of creative steam. In an attempt to revitalise the style and pull it back from total abstraction, Picasso began to glue printed images from the 'real world' onto the surface of his still life’s...


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Paul Cezanne Dimensional Fund Advisers Emily Dickinson's "I Felt a Funeral I Felt A Funeral In My Brain I Felt A Funeral, In My Brain “I felt a Funeral, in my Brain”: an Individual’s Abandonment of Faith The Dimensional Apple Compare And Contrast Italian Renaissance Painting And Sculpture To The Northern Renaissance Painting And Sculpture Compare And Contrast The Painting And The Sculpture Of The Italian Renaissance With The Painting And Sculpture Of The Northern Renaissance Competing in Flat worls: Operations management perspective Cubism Paul Cezanne and Samuel peploe The Application Of Three-Dimensional Construction And Ethnic Elements In The Design Of Women Fashion Dimensional Argument Against the Snowball Earth Hypothesis Communication with hand gestures in three dimensional software

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