|Topic:||Music and Movies|
|Number of pages / Number of words:||4 / 1042|
Parting from the examples given by Raquel Rivera, we have to look at the participation of the Puerto Rican community in the New York "core" Hip Hop and Hip Hop/Latin music in general with a critical eye. The glorification of sex, drugs, violence and the social status of poverty in no way contribute to the evolution and intellectual/economic proliferation of said ethnic groups...
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It is a matter knowing how to deal with these themes. Multiple MC's do touch this subject matter with a critical eye and act as observers and informants of the "streets" with a clear agenda of creating a collective conscience among their ethnic groups and making sure history does not repeat itself. Here in Puerto Rico we have MC’s like Siete Nueve, Tek One, ikol Santiago and Intifada, a Hip Hop group that includes MC Luis Diaz, who works as a history teacher for local public High Schools...
Im proud to be Puerto Rican A Critical Analysis Of "the Parting" By Michael Drayton Critical Theory as a Foundation for Critical Thinking in Music Education When I was Puerto Rican The Puerto Rican Day Parade New York New Music Ensemble Puerto Rican Art Puerto Rican Cultural And Religion Puerto Rican Migration To Nyc Communications: Role Of Music In A Smal Ethnic Group. Description on Chopi Timblia Music, Shona Mbira Music and the Venda National Dance: Tshikhona Latin American Music Music and Role in the Renaissance Music in General Music's role in film
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