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He became obsessed with mass production and interchangeability. He even used the same image of the Mona Lisa and repeated it thirty times, entitling it as Thirty are Better Than One. Critics continued to reprimand Warhol for his art: "[Andy Warhol] from start to finish was a self-promoting trickster, a pseudo-artist who corrupted the young, fouled the very notion of high art, manipulated the market, went along with the media was triviality personified," (Russell)...
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He used his art to reach the masses. His images became engrained in the minds of both the working class and the Hollywood starlets. Gianni Mercurio is quoted as saying, "What [Warhol] wanted was to communicate, to make art as popular as possible, to fascinate not only the rich and the famous but also ordinary people, such as students and workers...
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