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| Topic: |
Biographies
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| Number of pages / Number of words: |
4 / 861 |
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Gualliero is so
incredibly tyrannical and Griselda so incredibly patient that we can give up little
sympathy for such obviously stagey figures. Ottone is the meanest villain; Roberto and
Costanza are merely picturesque puppets, and Corrado hardly even that. Scarlatti has
made the most of the characters, such as they are, Griselda and Costanza being the most
successful...
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The finest example of dramatic expression is Griselda's air in the second act,
"Figlio! Tiranno! Oh Dio!" when Ottone has threatened to kill her child before her eyes
unless she yields to his desires (Dent). Tigrane, written in 1715, is the most famous of all
Scarlatti's operas. It owes much of its reputation to its being his hundred and sixth work
for the stage...
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