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In the first two quatrains, the rhyme words are
very harsh, distancing the author from from the poem. For example, there are the
very harsh constonant sounds of "part" and "heart", However, in the third
quatrain, there are musch softer sounds, such as "breath", "death", "lies" and
"eyes". The harsh 'r's and 't's are replaces by softer 'th's and 's's...
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The harsh 'r's and 't's are replaces by softer 'th's and 's's.
Indeed, this pattern is mirrored throughout the poem; in the first two
quatrains, the language is harsh, and cold, and aafter the volta, in the third
and fourth quatrains, the langauge is softer and more personal. Again, this is a
function of the form of the sonnet; there must be a drastic change of ideas
after line eight...
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