|Number of pages / Number of words:||8 / 2095|
As our narrator informs us: "Because a life contains a multitude of stories and not a single strand explains precisely the who of who one is, we have to examine the complicated loops that allowed Regina to become la Senora Reyes" [p. 115]. Does this nonlinear plot structure support the assertion that family and history are without beginning, middle, or end, but are, rather, a "pattern" [p...
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115]. Does this nonlinear plot structure support the assertion that family and history are without beginning, middle, or end, but are, rather, a "pattern" [p. 399]?
6. How does the historical chronology at the end of the novel edify the Reyes family events that take place within the body of the narrative?and vice versa? In other words, since the reader probably read the story before the chronology, how do the fictional family events illuminate the factual chronology of United States and Mexican history? Is Caramelo like or different from other historical fictions, such as Alex Haley's Roots, with which the reader might be familiar?
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